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US Capitol Building

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Kendall Hall, CSU Chico

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Want to sketch architecture? Get your perspective right!

There are so many factors that go into a well crafted architectural sketch. Tone, shading and landscaping are all very important factors in a drawing, but none is more crucial than proper perspective.

Perspective as an artist technique is a method of representing the depth and space of a 3-dimensional object on a flat surface. In a real world, and probably more relevant sense, perspective is caused by the angle of light coming off objects strikes your eye. The human eye is trained to be able to recognize perspective and interpret patterns in object orientation as 3-dimensional. For example, imagine you are looking down a long street lined with apartment buildings. Toward the end of the street the top of the last apartment building roof will be significantly lower than the first one relative to the horizon. The line that connects these two points will slant dramatically downward. The eye is able to use that information, along with other signs to interpret the street as long. In order to get the same effect in a drawing, the perspective needs to be right!

Lines of perspective converge on a single point, but it isn’t necessary to do a proper one or two point perspective layout on an architectural sketch. It is true that aligning perspective lines to that point will ensure perfect perspective in the drawing. However, I think it is a valuable skill to be able to eyeball perspective and use the skills that your eye (and your brain) already possess.

There are several ways to get started drawing perspective. Keep in mind that sketching perspective takes time, so don’t fret if your first few drawings turn out a little wonky. Some artists start by tracing key perspective lines off of reference photos to get a feel for it. This is fine for a while, but not something you’ll want to practice long term. Also, be aware of some of the pitfalls of drawing from a photo. Some artists never get away from using points of perspective and straight edges to create perspective. One technique that I use in almost every drawing I do is my flip book method. This is similar in concept to animation flip books, which allow the eye to see motion.

To do this method, start by sketching a few key perspective lines (major roof lines, walls, or prominent features of the building). Next, hold the basic lines up next to a reference building or photo. Now, quickly dart your eyes back and forth between the drawing and the reference repeatedly until you see a difference in your lines and the actual perspective lines of the building your are drawing. After a number of times darting back and forth you clearly see where your lines are different from the actual perspective. Use this information to make corrections to your lines until you are satisfied that the perspective is right! Eventually, you will barely ever need to do this because you’re eye will be so good at recognizing when the perspective

This technique can be used to start a new drawing, or as a 5-minute exercise to get better at perspective drawing. These techniques are usually better done in pencil so you can erase and make changes before putting ink down on paper.

For more details keep an eye out for a more in-depth post on how to set up 1, 2 and 3-point perspective.

Thanks for following and happy drawing!

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My Work New Drawings

US Capitol Building

I sat down on a quiet Saturday recently to do a little personal drawing. These projects are a needed break between commissions and professional projects. I was perusing photos and feeling uninspired until I finally thought “duh!” Why not draw one of the most prominent buildings in the US!

Domes are particularly fun to draw. They are a definite challenge to freehand, but once the shape and perspective is right, they are pure joy to draw! As many of you know, all of my drawings are done mostly freehand. I do use a straight edge to line the drawing up with the paper edges (a personal pet peeve of mine) and occasionally to lay out a prominent or important line.

One thing I think is worth mentioning is how shaky the drawing looks when you start to put down ink lines. This used to be a really discouraging phase of any drawing for me. By the end of this drawing I was thrilled by how the dome looked. Pushing through this phase is so important in this style of sketch.

This drawing was produced on Bristol white paper using Copic Multiliner pens (.01) in a format size of 18×24″ This original pieces is currently for sale. If interested, please send a request via my contact page. Happy sketching!

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Bidwell Mansion Drawing

I recently finished a drawing of a local landmark in my hometown of Chico, CA. I actually resisted drawing this building for years because of the sparseness of the architecture. I don’t think I really like John Bidwell’s taste in architecture. But, it is a major landmark in our town, so it had to be done!

All of my drawings start with a pencil sketch, which is honestly pretty basic and elementary, but it gives my eye the framework to put down the ink lines. Starting on the ink is usually a nerve racking process, and I often take a lengthy break between finishing the pencil sketch and starting the pen lines.

My first goal is to get a basic outline and most of the major lines in place. By major lines, I mean prominent wall or roof lines that give perspective to the drawing. This just lets me know that the drawing will look right. I did this drawing in a Copic Multiliner .01, which is my favorite pen for this style of drawing. The line quality from these pens are perfect for this level of detail. You can see a list of my favorite drawing tools here.

Once the major lines in place, the long process of adding small details and shading follows. I know that getting past this phase is very difficult because the drawing doesn’t look complete. It took a long time to get confident enough to push through and trust that the drawing with come out. I really enjoyed this one!

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How-to Writing

Essential Sketch Tools

This is probably one of the more popular questions I get from readers. I admit I am constantly trying to sleuth out what pens, pencils, erasers, tables, rulers and other tools my favorite artists are using. I will have numerous posts about my favorite pens, pencils, paper and sketchbooks to use for architectural and urban sketch, but let’s just take a look at the products I cannot live without!

Pens

Copic Multiliner .01

There are a number of pens that I use in my artwork, but my all-time favorite is the copic multiliner line. I love the appeal of the pen, and the quality of craftsmanship is top-notch, but the quality of the ink line that the pen produces is outstanding. I love the replaceable nibs and ink cartridges. These pens can be a little cumbersome on larger projects, but the line quality is just too good to pass up.

Pencils

Alvin Draftmatic Pencil

I have been using these pencils for so long, I can’t really remember a time when I didn’t have one of these by my side. I use these pencils in everything from layout sketches to finish pencil sketch projects. The grip is tacky, which keeps me from having to over-grip the pencil during drawing. This keeps my hand from fatiguing. The action of the lead advance and the overall quality can’t be beat. This pencil is a must-have!

Erasers

Staedler Mars Plastic Eraser

Yep, this eraser is definitely in my list of top products. I have several of them around my drawing studio, and one always travels with me anywhere I go. They erase clean and powerfully without leaving any smudge marks. I trust these erasers to erase over a finish drawing to get rid of stray pencil marks. This is by far the best eraser I have ever used.

Paper

Strathmore Bristol Paper (400 series) 18″x24″

There are so many different papers that can be used for architectural sketch work. Traditionally, architects would have stuck to something extra-smooth like a vellum or something along those lines. I have used those papers before, but I always come back to bristol paper. These pads aren’t the cheapest on the market, but they are top quality and produce beautiful pen and ink drawings.

Sketchbooks

Greenwood Classic Sketchbook

I love sketchbooks, and I am also notoriously snobby about them! Of the many sketchbooks, but the Greenwood Classic has the perfect mixture of paper quality, binding strength and outside appeal (the feel of the cover, how it sits on a table or your lap and how well it opens). Greenwood is based out of Australia and since picking up one of their books, it has been by my side constantly!


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We’re here to sketch!

Thank you for joining up and visiting this site. We are all here to draw! Whether you want to get better at drawing, learn new techniques or improve on what you already know or you are seeking inspiration and guidance, you are in the right place!

I have been an artist since I was a little kid, but I never really allowed myself to label myself as such. It wasn’t until a few years ago that I started to get serious about drawing. Within a few months I had my first art show, shortly there after I received my first commission requests and have not looked back since! I have been able to grow a social media following of over 30k followers, gained representation through a local art gallery and have been busy with commissions and projects. Do I say all this to brag? No! I say this because before I really seriously considered myself an artist, I had none of what I mentioned above. My drawings went entirely un-noticed, and I allowed this to happen purely because I didn’t believe in myself. Once I did, it changed everything. This is part of what I hope to help you all with!

There are so many questions that I receive about this style of sketching. What kind of pens do you use? How long do these drawings usually take to produce? How do you get started? I plan to address all of these topics in detail as well as a slough of other topics ranging from motivation, inspiration, the business end of being an artist and many more. I hope you will find this site interesting, engaging and informative. Feel free to give me feedback or email me with questions.

Thank you!

JSS