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US Capitol Building

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Kendall Hall, CSU Chico

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Want to sketch architecture? Get your perspective right!

There are so many factors that go into a well crafted architectural sketch. Tone, shading and landscaping are all very important factors in a drawing, but none is more crucial than proper perspective.

Perspective as an artist technique is a method of representing the depth and space of a 3-dimensional object on a flat surface. In a real world, and probably more relevant sense, perspective is caused by the angle of light coming off objects strikes your eye. The human eye is trained to be able to recognize perspective and interpret patterns in object orientation as 3-dimensional. For example, imagine you are looking down a long street lined with apartment buildings. Toward the end of the street the top of the last apartment building roof will be significantly lower than the first one relative to the horizon. The line that connects these two points will slant dramatically downward. The eye is able to use that information, along with other signs to interpret the street as long. In order to get the same effect in a drawing, the perspective needs to be right!

Lines of perspective converge on a single point, but it isn’t necessary to do a proper one or two point perspective layout on an architectural sketch. It is true that aligning perspective lines to that point will ensure perfect perspective in the drawing. However, I think it is a valuable skill to be able to eyeball perspective and use the skills that your eye (and your brain) already possess.

There are several ways to get started drawing perspective. Keep in mind that sketching perspective takes time, so don’t fret if your first few drawings turn out a little wonky. Some artists start by tracing key perspective lines off of reference photos to get a feel for it. This is fine for a while, but not something you’ll want to practice long term. Also, be aware of some of the pitfalls of drawing from a photo. Some artists never get away from using points of perspective and straight edges to create perspective. One technique that I use in almost every drawing I do is my flip book method. This is similar in concept to animation flip books, which allow the eye to see motion.

To do this method, start by sketching a few key perspective lines (major roof lines, walls, or prominent features of the building). Next, hold the basic lines up next to a reference building or photo. Now, quickly dart your eyes back and forth between the drawing and the reference repeatedly until you see a difference in your lines and the actual perspective lines of the building your are drawing. After a number of times darting back and forth you clearly see where your lines are different from the actual perspective. Use this information to make corrections to your lines until you are satisfied that the perspective is right! Eventually, you will barely ever need to do this because you’re eye will be so good at recognizing when the perspective

This technique can be used to start a new drawing, or as a 5-minute exercise to get better at perspective drawing. These techniques are usually better done in pencil so you can erase and make changes before putting ink down on paper.

For more details keep an eye out for a more in-depth post on how to set up 1, 2 and 3-point perspective.

Thanks for following and happy drawing!

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Bidwell Mansion Drawing

I recently finished a drawing of a local landmark in my hometown of Chico, CA. I actually resisted drawing this building for years because of the sparseness of the architecture. I don’t think I really like John Bidwell’s taste in architecture. But, it is a major landmark in our town, so it had to be done!

All of my drawings start with a pencil sketch, which is honestly pretty basic and elementary, but it gives my eye the framework to put down the ink lines. Starting on the ink is usually a nerve racking process, and I often take a lengthy break between finishing the pencil sketch and starting the pen lines.

My first goal is to get a basic outline and most of the major lines in place. By major lines, I mean prominent wall or roof lines that give perspective to the drawing. This just lets me know that the drawing will look right. I did this drawing in a Copic Multiliner .01, which is my favorite pen for this style of drawing. The line quality from these pens are perfect for this level of detail. You can see a list of my favorite drawing tools here.

Once the major lines in place, the long process of adding small details and shading follows. I know that getting past this phase is very difficult because the drawing doesn’t look complete. It took a long time to get confident enough to push through and trust that the drawing with come out. I really enjoyed this one!

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We’re here to sketch!

Thank you for joining up and visiting this site. We are all here to draw! Whether you want to get better at drawing, learn new techniques or improve on what you already know or you are seeking inspiration and guidance, you are in the right place!

I have been an artist since I was a little kid, but I never really allowed myself to label myself as such. It wasn’t until a few years ago that I started to get serious about drawing. Within a few months I had my first art show, shortly there after I received my first commission requests and have not looked back since! I have been able to grow a social media following of over 30k followers, gained representation through a local art gallery and have been busy with commissions and projects. Do I say all this to brag? No! I say this because before I really seriously considered myself an artist, I had none of what I mentioned above. My drawings went entirely un-noticed, and I allowed this to happen purely because I didn’t believe in myself. Once I did, it changed everything. This is part of what I hope to help you all with!

There are so many questions that I receive about this style of sketching. What kind of pens do you use? How long do these drawings usually take to produce? How do you get started? I plan to address all of these topics in detail as well as a slough of other topics ranging from motivation, inspiration, the business end of being an artist and many more. I hope you will find this site interesting, engaging and informative. Feel free to give me feedback or email me with questions.

Thank you!

JSS